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Pasquale Grasso Releases New Album, “Solo Be-Bop!”

Pasquale Grasso sat down alone with his guitar and let the music flow…the resultย isย Solo Be-Bop!

Above photo credit (cropped) LAWRENCE SUMULONG

While in the studio wrapping up sessions forย theย Fervencyย trio album, guitaristย Pasquale Grassoย found himself with two extra days booked and no fixed plan. At the suggestion ofย hisย producer, Grasso sat down alone with his guitar and let the music flow. The resultย isย Solo Be-Bop!, a virtuosic, deeply personal solo guitar album that honors the complexity, soul, and swing ofย Bebopโ€™sย piano greats.

RELEASE DATE: JUNE 13, 2025

Grasso grew up studying the left-hand swagger and right-hand fireworks of Art Tatum, Bud Powell, Thelonious Monk, Fats Waller, and Earl Hines. Onย Soloย Be-Bop!,ย he channels their spirit into his own singular six-string language, swinging unaccompanied with total command and creativity. โ€œWhether youโ€™re alone or in a band, youโ€™re supposed to swing by yourself anyway if you want to play this music,โ€ Grasso says.ย Andย swing he does.

One of the many highlights on Solo Be-Bop! Is a dazzling version of Charlie Parkerโ€™s โ€œChasinโ€™ the Bird,โ€ which Grasso approaches as a technical etude, pushing the independence of all his fingers to new extremes.

โ€œAs a guitar player, I like to take challenges to get better technically,โ€ Grasso says, โ€œand this song was one song that helped me a lot to achieve independence between all my fingers Not an easy task, but very rewarding.โ€

Grassoโ€™s take on โ€œSalt Peanuts,โ€ a song he normally plays with his trio, bursts with rhythmic vitality even in the absence of a band. The album also includes heartfelt nods to his personal influences: โ€œStella by Starlightโ€ evokes warm memories of studying with Barry Harris, while the ballad โ€œPannonicaโ€ pays tribute to his motherโ€™s favorite Thelonious Monk tune.

On โ€œSidโ€™s Delightโ€ (written by Tadd Dameron, one of Grassoโ€™s favorite composers), the guitarist tried to mimic the original 1949 recording, which he says has a fantastic arrangement and a great solo by trumpeter Fats Navarro.

Grasso, who was raised on a farm in Ariano Irpino in Italy, offers a tender dedication to his family on โ€œTime Waits,โ€ capturing the emotional gravity of distance with striking nuance.

โ€œItโ€™s hard to be far away from your home and Iโ€™m so glad to have a great family that I can talk to every day and share my life,โ€ Grasso says.

Grasso took some liberties with Bud Powellโ€™s โ€œMonopolyโ€ by modifying the rhythm changes somewhat. โ€œBud had a different way of playing rhythm changes throughout his career, even all the songs with different chord changes,โ€ Grasso says. โ€œThis one in particular is very hard to play.โ€

With Solo Be-Bop!, Grasso doesnโ€™t just reinterpret these pieces he inhabits them fully, creating an album thatโ€™s as daring as it is heartfelt. This is Bebop guitar at its most exposed and expressive: a masterful conversation between past and present, with no one else in the room.

SOLO BE-BOP!

TRACKLIST

1. Chasin’ the Bird

2. Salt Peanuts        

3. Sid’s Delight

4. Time Waits          

5. Manhattan

6. Monopoly 

7. Stars Over Marrakech   

8. Stella by Starlight

9. Happy Hour

10. Sure Thing         

11. Pannonica

12. Yeheadeadeadee         


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