Jazz Guitar Lessons
Chuck Anderson’s Scale Building for Jazz
Help fine-tune your scale knowledge with Chuck Anderson’s Jazz Guitar Improvisation Lesson Series
In the previous lesson, I talked about the importance of being able to spell chords for improvisation. It is equally important to be able to spell scales.
In approaching scales, we don’t want to think of them as do, re, mi exercises. Each scale represents a stream of notes that can be used in your solos. These notes can be used in any order and with any rhythm. Embellishments are also freely used.
Chords and chord progressions lead us to scales.
Here are the 16 most used scales in the jazz guitar style. Use the step patterns to calculate the scales in any key.
The following sample scales all start on C.
Major = 1, 1, 1/2, 1, 1, 1, 1/2 — C major = C D E F G A B C ( aka C Ionian)
Natural Minor = 1, 1/2, 1, 1, 1/2, 1, 1 — C Natural Minor = C D Eb F G Ab Bb C (aka Aeolian)
Harmonic Minor = 1, 1/2, 1, 1, 1/2, 1+1/2, 1/2 — C Harmonic Minor = C D Eb F G Ab B C
Jazz Melodic Minor = 1, 1/2, 1, 1, 1, 1, 1/2 — C Jazz Melodic Minor = C D Eb F G A B C
Minor Pentatonic = 1+1/2, 1, 1, 1+1/2, 1 — C Minor Pentatonic = C Eb F G Bb C (aka a type of Blues scale)
Major Pentatonic = 1, 1, 1+1/2, 1, 1+1/2 — C Major Pentatonic = C D E G A C
Dorian = 1, 1/2, 1, 1, 1, 1/2, 1 — C Dorian = C D Eb F G A Bb C
Lydian = 1, 1, 1, 1/2, 1, 1, 1/2 — C Lydian = C D E F# G A B C
Locrian = 1/2, 1, 1, 1/2, 1, 1, 1 — C Locrian = C Db Eb F Gb Ab Bb C
Super Locrian = 1/2, 1, 1/2, 1, 1, 1, 1 — C Super Locrian = C Db Eb Fb Gb Ab Bb C (aka altered dominant)
Mixolydian = 1, 1, 1/2, 1, 1, 1/2, 1 — C Mixolydian = C D E F G A Bb C (aka Dominant)
Mixolydian +4 = 1, 1, 1, 1/2, 1, 1/2, 1 — C Mixolydian +4 = C D E F# G A Bb C (aka Lydian Dominant)
Mixolydian -2, -6 = 1/2, 1+1/2, 1/2, 1, 1/2, 1, 1 — C Mixolydian -2, -6 = C Db E F G Ab Bb C (aka Phrygian Major)
Diminished = Alternate whole and half steps — C Diminished = C D Eb F Gb Ab A B C
Inverted Diminished = Alternate half and whole steps — C Inverted Diminished = C Db Eb E F# G A Bb C (aka altered dominant)
Whole Tone = All whole steps — C Whole Tone = C D E F# G# A# C
Develop fingerings for these scales. Most importantly, learn their sounds and their effects. Next time, we’ll look into applications for these scales.
More lessons from Chuck Anderson.
-
Jazz Guitar Lessons1 week ago
New JGT Lesson: Dissecting Versions of Gershwin’s “Our Love Is Here To Stay”
-
Jazz Guitar Lessons3 weeks ago
New JGT Lesson: Common Chord Grips, Voice Leading, Quartal Harmony, And Many Other Techniques
-
Jazz CD Releases4 weeks ago
John Scofield Touring – Supporting His Latest Album, “Uncle John’s Band”
-
What's Happening in Jazz2 weeks ago
New York City Braces for the Electrifying Inaugural Guitar Masters Festival