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JGT Newsroom

Martin Taylor Joins Vignola and Bruno For ‘Guitar Night’ At The Birdland

Bob Bakert, Editor

Jazz Guitar Today Talks to Mike Seal on Tour with Jerry Douglas and John Hiatt

Chuck Anderson

Chuck Anderson Explains How To Extend Arpeggios

Mark Stefani

Guitarist Mark Stefani Shares Original Blues Compositions

Guest Perspectives

Pat Martino, BeBop, Blues, Pentatonics and the Transition to a Modern Sound

Ted Ludwig

Ted Ludwig’s Jazz ‘Lick of the Week’ #21

Joe Barth

Jazz Guitar Today Talks To Jazz Guitarist Chuck Anderson

Thomas Amoriello Jr.

Up And Coming Guitarist, Noah Myers

Leon Rodriguez

New Leon Rodriguez Lesson: In Position Vertical Cycles (Part 3) – The 3-note 7th

Zakk Jones

Zakk Jones Explains How to Add Spice To Basic Triads

Bill Farrish

“Jingle Bells” Arrangement For The Holidays

Vince Lewis

New Vince Lewis Arrangement, “Mr. Bojangles”

Wayne Goins

Guitarist Mark Strickland Hiding In Plain View

Jonathan Ross

Interview with Jazz Guitarist and Educator Bob Palmieri

Marc Silver

New JGT Series: Acoustic Flattops in Jazz, John McLaughlin

Trey Wright

New JGT Video Lesson: Rootless Voicings, Part 1

Frank Vignola

It’s That Time Again! Frank Vignola Provides His Chord Melody of a Christmas Classic

David Frackenpohl

Six Standards You Should Know – Next Up, “Take The A Train”

John Stowell

Guitarist John Stowell Performs an Original Composition, ‘Always Sometimes’

Beth Marlis

Meet Jocelyn Gould… Rising Guitar Star, Bandleader and Guitar Department Head

Dustin Fichter

Bill Evans Video Lesson Part 1 – Comping, Chords, And Beyond

Brad Jeter

New JGT Review: A Guitar That Should Be On Everyone’s List Of Contenders

Taylor Roberts

Why I Switched to a 7-String Guitar, Part 2

Ray Matuza

A Perspective From The Stage At Frank Vignola Guitar Night

Joe Finn

Why It’s Important To Focus On Ensemble Skills

Charles Williams

Happy 76! Pat Martino

Evan Skopp

How do I go About Selecting a Pickup for My Guitar?

Ed Acquesta

How To Enhance Your Solo Guitar Playing, Part 4

John March

Mixing for Jazz…One Man’s Perspective

Giuseppe Continenza

Giuseppe Continenza’s Chord Melody Secrets Revealed, Part 1

Billy Wilkie

Call it “D Dorian – G Altered – C Maj​ Lickomania”

Bill Hart

Top 10 Great Jazz Guitar Solos

Tom Lippincott

What You Need To Know About Rhythm, Lesson #3

Frank Hamilton

Remembering Barney Kessel’s Music World

Ivan Gygi

What To Know About Quartal Harmony and the Tritone Substitution

Sean McGowan

Video Review: Henriksen JazzAmp TEN Combo Amplifier

Patrick Arthur

What You Need To Know About Standard 3 Chord Blues Form

Bobby Broom

10 Standards for Transitioning from Blues/Rock to Jazz Guitar

Barry Wahrhaftig

JGT Lesson: ‘Waltz For Debby’ Etude

Doug Martin

JGT Masterworks Spotlight: Otto D’Ambrosio’s Allegro Special

Wes RD Wraggett

Bach to the Future Continues

Tyrone Jackson

What Jazz Pianists Want To Tell Guitarists, Part 2

Anthony Mancini

Amp-Effects Modeling: A Perspective from a Working-Class Guitarist

Zack Devine

New JGT Series, Finding Jazz…With Zack Devine

Mark Altekruse

It’s Hard to Define ‘Jazz’…but this is Pretty Darn Close​

Pat Bianchi

Top 10 Jazz Organ Trios

Raul Amador

Looking for the ​Highest Quality Signal with your Cables?

Wolf Marshall

PAT MARTINO: A Tribute by Wolf Marshall

Mitch Chmara

My Absolute Favorite Top 10 Jazz Guitar Solos

George Walker Petit

One Man’s Quest for His ‘Dream’ Guitar

Ede Wright

A Lesson in Rhythm for Guitarists

Tamara Fuller

True Confessions of a Jazz Club Owner: Why Do We Hire Guitarists?

Jackson Evans

JGT Album Review: William Flynn and Tim Fischer, Cross Country

Mark Herring

JGT Review: Dave Stryker’s – Eight Track III

Steve Herberman

This Is A Story About A Very Special 7-String Guitar

James Galloway

JGT Review: Godin ACS Nylon String/Synth Guitar

Curtis Jones

A tribute to Al Di Meola, John McLaughlin, and Paco de Lucía’s Classic Performance, “FRIDAY NIGHT IN SAN FRANCISCO”

Paul Fischer

Atlanta Jazz Scene: Rich in Jam Sessions, But Gigs?

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