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JGT Newsroom

New Davy Mooney Lesson, Burton Lane’s “How About You?”

Bob Bakert, Editor

Amazing Weekend In The Rockies!

Chuck Anderson

What To Know About Fusing Arpeggios And Scales

Joe Barth

Introducing A Young Spanish Jazz Guitarist, Russ Hewitt

Guest Perspectives

Why Our Masters Matter

Mark Stefani

Guitarist Mark Stefani Shares Original Blues Compositions

Ted Ludwig

Ted Ludwig’s Jazz ‘Lick of the Week’ #21

Vince Lewis

New Vince Lewis Arrangement, “Serenata”

Thomas Amoriello Jr.

Up And Coming Guitarist, Noah Myers

Zakk Jones

New Release From D.C. Area Guitarist Shawn Purcell, “180”

Leon Rodriguez

New Leon Rodriguez Lesson: In Position Vertical Cycles (Part 3) – The 3-note 7th

Bill Farrish

“Jingle Bells” Arrangement For The Holidays

Wayne Goins

Guitarist Mark Strickland Hiding In Plain View

Brad Jeter

Jazz Guitar Today Review: Epiphone Joe Bonamassa 1962 ES-335

Jonathan Ross

Interview with Jazz Guitarist and Educator Bob Palmieri

Marc Silver

New JGT Series: Acoustic Flattops in Jazz, John McLaughlin

Trey Wright

New JGT Video Lesson: Rootless Voicings, Part 2

Frank Vignola

Frank Vignola Shares His Arrangement Of A Christmas Classic, I’ll Be Home For Christmas

John Stowell

Soloing Strategies With Irving Berlin’s “How Deep Is The Ocean”

David Frackenpohl

Six Standards You Should Know – “On Green Dolphin Street”

Beth Marlis

Meet Jocelyn Gould… Rising Guitar Star, Bandleader and Guitar Department Head

Bill Hart

Molly Miller Trio Performs At Atlanta’s Velvet Note

Dustin Fichter

Bill Evans Video Lesson Part 1 – Comping, Chords, And Beyond

Joe Finn

Why It’s Important To Focus On Ensemble Skills

Taylor Roberts

Why I Switched to a 7-String Guitar, Part 2

Ray Matuza

A Perspective From The Stage At Frank Vignola Guitar Night

Giuseppe Continenza

Giuseppe Continenza’s Chord Melody Secrets Revealed, Part 1

John March

Mixing for Jazz…One Man’s Perspective

Greg Chako

Get Your Musical Mojo Back And Make Time Disappear…

Ed Acquesta

How To Enhance Your Solo Guitar Playing, Part 4

Evan Skopp

How do I go About Selecting a Pickup for My Guitar?

Charles Williams

Happy 76! Pat Martino

Anthony Mancini

Why Working As A Guitarist Is A Harrowing Experience…

Zack Devine

Finding Jazz…Melodic Concepts For “Carry On Wayward Son”

Patrick Arthur

What To Know About Minor Blues and Tritone Substitutions

Ivan Gygi

What To Know About Quartal Harmony and the Tritone Substitution

Tom Lippincott

What You Need To Know About Rhythm, Lesson #3

Billy Wilkie

Call it “D Dorian – G Altered – C Maj​ Lickomania”

Frank Hamilton

Remembering Barney Kessel’s Music World

Steve Herberman

Exclusive 7 String Lesson From Steve Herberman, Down Low Blues

Wes RD Wraggett

Bach to the Future Continues

Barry Wahrhaftig

JGT Lesson: ‘Waltz For Debby’ Etude

Doug Martin

JGT Masterworks Spotlight: Otto D’Ambrosio’s Allegro Special

Tyrone Jackson

What Jazz Pianists Want To Tell Guitarists, Part 2

Bobby Broom

10 Standards for Transitioning from Blues/Rock to Jazz Guitar

Sean McGowan

Video Review: Henriksen JazzAmp TEN Combo Amplifier

Chris Beyt

The Never Published Interview Of The Legendary Jim Hall

George Walker Petit

One Man’s Quest for His ‘Dream’ Guitar

Tamara Fuller

True Confessions of a Jazz Club Owner: Why Do We Hire Guitarists?

Wolf Marshall

PAT MARTINO: A Tribute by Wolf Marshall

Mitch Chmara

My Absolute Favorite Top 10 Jazz Guitar Solos

Curtis Jones

A tribute to Al Di Meola, John McLaughlin, and Paco de Lucía’s Classic Performance, “FRIDAY NIGHT IN SAN FRANCISCO”

Pat Bianchi

Top 10 Jazz Organ Trios

Paul Beard

New JGT Review: Julian Lage, “View With A Room”

Paul Fischer

Atlanta Jazz Scene: Rich in Jam Sessions, But Gigs?

Jackson Evans

JGT Album Review: William Flynn and Tim Fischer, Cross Country

Tony Wasilewski

A Night To Be Remembered…The Mike Stern Quintet At The Velvet Note

Raul Amador

Looking for the ​Highest Quality Signal with your Cables?

James Galloway

JGT Review: Godin ACS Nylon String/Synth Guitar

Mark Altekruse

It’s Hard to Define ‘Jazz’…but this is Pretty Darn Close​

Ede Wright

A Lesson in Rhythm for Guitarists

Mark Herring

JGT Review: Dave Stryker’s – Eight Track III

Staffan William-Olsson

An International Perspective Of Frank Zappa

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