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Exclusive Video: The Hollenbeck Ebony ‘N’ Blue From The Blue Guitar Collection

Bob Bakert, Editor

Inside The ‘Jazz’ Version Of “Seek and Destroy”

Chuck Anderson

What To Know About Double Chromatic Alterations For Dominant Chords

Joe Barth

Happy Birthday Pat Metheny!

Guest Perspectives

John Buscarino Reflects On Working With Gene Bertoncini

Mark Stefani

Guitarist Mark Stefani Shares Original Blues Compositions

Ted Ludwig

Ted Ludwig’s Jazz ‘Lick of the Week’ #21

Thomas Amoriello Jr.

Up And Coming Guitarist, Noah Myers

Leon Rodriguez

New Leon Rodriguez Lesson: In Position Vertical Cycles (Part 3) – The 3-note 7th

Zakk Jones

What The Heck Is “Anti-Gravity Voice Leading”?

Bill Farrish

“Jingle Bells” Arrangement For The Holidays

Vince Lewis

New Vince Lewis Arrangement, Lil’ Darlin’

Wayne Goins

Guitarist Mark Strickland Hiding In Plain View

Jonathan Ross

Interview with Jazz Guitarist and Educator Bob Palmieri

Trey Wright

New JGT Video Lesson: Rootless Voicings, Part 2

Marc Silver

New JGT Series: Acoustic Flattops in Jazz, John McLaughlin

Brad Jeter

New Jazz Guitar Today Review: Fender’s JV Modified ’60s Stratocaster

David Frackenpohl

Six Standards You Should Know – “On Green Dolphin Street”

Frank Vignola

It’s That Time Again! Frank Vignola Provides His Chord Melody of a Christmas Classic

John Stowell

Guitarist John Stowell Performs an Original Composition, ‘Always Sometimes’

Beth Marlis

Meet Jocelyn Gould… Rising Guitar Star, Bandleader and Guitar Department Head

Dustin Fichter

Bill Evans Video Lesson Part 1 – Comping, Chords, And Beyond

Taylor Roberts

Why I Switched to a 7-String Guitar, Part 2

Bill Hart

The Back Page: Jimmy Herring and Bill Hart

Ray Matuza

A Perspective From The Stage At Frank Vignola Guitar Night

Joe Finn

Why It’s Important To Focus On Ensemble Skills

Charles Williams

Happy 76! Pat Martino

Evan Skopp

How do I go About Selecting a Pickup for My Guitar?

Ed Acquesta

How To Enhance Your Solo Guitar Playing, Part 4

John March

Mixing for Jazz…One Man’s Perspective

Giuseppe Continenza

Giuseppe Continenza’s Chord Melody Secrets Revealed, Part 1

Zack Devine

Finding Jazz…Melodic Concepts For “Carry On Wayward Son”

Billy Wilkie

Call it “D Dorian – G Altered – C Maj​ Lickomania”

Tom Lippincott

What You Need To Know About Rhythm, Lesson #3

Frank Hamilton

Remembering Barney Kessel’s Music World

Anthony Mancini

Why Working As A Guitarist Is A Harrowing Experience…

Ivan Gygi

What To Know About Quartal Harmony and the Tritone Substitution

Patrick Arthur

What You Need To Know About Standard 3 Chord Blues Form

Sean McGowan

Video Review: Henriksen JazzAmp TEN Combo Amplifier

Bobby Broom

10 Standards for Transitioning from Blues/Rock to Jazz Guitar

Barry Wahrhaftig

JGT Lesson: ‘Waltz For Debby’ Etude

Doug Martin

JGT Masterworks Spotlight: Otto D’Ambrosio’s Allegro Special

Wes RD Wraggett

Bach to the Future Continues

Tyrone Jackson

What Jazz Pianists Want To Tell Guitarists, Part 2

Steve Herberman

Exclusive 7 String Lesson From Steve Herberman, Down Low Blues

Mark Altekruse

It’s Hard to Define ‘Jazz’…but this is Pretty Darn Close​

Wolf Marshall

PAT MARTINO: A Tribute by Wolf Marshall

Pat Bianchi

Top 10 Jazz Organ Trios

Raul Amador

Looking for the ​Highest Quality Signal with your Cables?

Mitch Chmara

My Absolute Favorite Top 10 Jazz Guitar Solos

George Walker Petit

One Man’s Quest for His ‘Dream’ Guitar

Ede Wright

A Lesson in Rhythm for Guitarists

Staffan William-Olsson

An International Perspective Of Frank Zappa

Tamara Fuller

True Confessions of a Jazz Club Owner: Why Do We Hire Guitarists?

Tony Wasilewski

A Night To Be Remembered…The Mike Stern Quintet At The Velvet Note

Jackson Evans

JGT Album Review: William Flynn and Tim Fischer, Cross Country

Mark Herring

JGT Review: Dave Stryker’s – Eight Track III

James Galloway

JGT Review: Godin ACS Nylon String/Synth Guitar

Paul Fischer

Atlanta Jazz Scene: Rich in Jam Sessions, But Gigs?

Curtis Jones

A tribute to Al Di Meola, John McLaughlin, and Paco de Lucía’s Classic Performance, “FRIDAY NIGHT IN SAN FRANCISCO”

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