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New Scott Henderson Video Podcast: The Influence Of ‘Jazz On Rock’

Bob Bakert, Editor

Jazz Guitar Today Talks to Mike Seal on Tour

Chuck Anderson

Helpful Tips With Symmetric Whole Tone Scale Fingering

Guest Perspectives

Pat Martino, BeBop, Blues, Pentatonics and the Transition to a Modern Sound

Mark Stefani

A Lesson From Christmas Past: Slow Blues Christmas

Ted Ludwig

Ted Ludwig’s Jazz ‘Lick of the Week’ #20

Joe Barth

Jazz Guitar in the City of Roses, Portland, Oregon

Thomas Amoriello Jr.

Guitarist Alex Skolnick Explores New Territory

Leon Rodriguez

New JGT Lesson: In Position Vertical Cycles (Part 2) – Shift to Minor

Bill Farrish

“Jingle Bells” Arrangement For The Holidays

Zakk Jones

How to Comp Like Ed Bickert

Jonathan Ross

Interview with Jazz Guitarist and Educator Bob Palmieri

Wayne Goins

The Magic Touch of Dan Wilson

Vince Lewis

Vince Lewis Arrangement of “Fly Me To The Moon”

Trey Wright

New JGT Video Lesson: Rootless Voicings, Part 1

Marc Silver

New JGT Series: Acoustic Flattops in Jazz, Pat Metheny

Frank Vignola

It’s That Time Again! Frank Vignola Provides His Chord Melody of a Christmas Classic

John Stowell

Guitarist John Stowell Performs an Original Composition, ‘Always Sometimes’

Beth Marlis

Meet Jocelyn Gould… Rising Guitar Star, Bandleader and Guitar Department Head

Dustin Fichter

Bill Evans Video Lesson Part 1 – Comping, Chords, And Beyond

Taylor Roberts

Why I Switched to a 7-String Guitar, Part 2

Brad Jeter

New JGT Review: Comins GCS-1ES

David Frackenpohl

Dave Frackenpohl Transcribes Chet Baker For Guitar

Charles Williams

Happy 76! Pat Martino

Evan Skopp

How do I go About Selecting a Pickup for My Guitar?

John March

Mixing for Jazz…One Man’s Perspective

Giuseppe Continenza

Giuseppe Continenza’s Chord Melody Secrets Revealed, Part 1

Ray Matuza

The Buildings Are Alive Again With The Sound of Music!

Billy Wilkie

Call it “D Dorian – G Altered – C Maj​ Lickomania”

Bill Hart

Top 10 Great Jazz Guitar Solos

Tom Lippincott

What You Need To Know About Rhythm, Lesson #3

Frank Hamilton

Remembering Barney Kessel’s Music World

Joe Finn

Larry Coryell’s Autobiography, Improvising: My Life In Music

Ivan Gygi

What To Know About Quartal Harmony and the Tritone Substitution

Sean McGowan

Video Review: Henriksen JazzAmp TEN Combo Amplifier

Bobby Broom

10 Standards for Transitioning from Blues/Rock to Jazz Guitar

Barry Wahrhaftig

JGT Lesson: ‘Waltz For Debby’ Etude

Doug Martin

JGT Masterworks Spotlight: Otto D’Ambrosio’s Allegro Special

Wes RD Wraggett

Bach to the Future Continues

Ed Acquesta

How To Use Tenth Intervals To Enhance Your Solo Guitar Playing, Part 2

Tyrone Jackson

What Jazz Pianists Want To Tell Guitarists, Part 2

Anthony Mancini

Amp-Effects Modeling: A Perspective from a Working-Class Guitarist

Mark Altekruse

It’s Hard to Define ‘Jazz’…but this is Pretty Darn Close​

Raul Amador

Looking for the ​Highest Quality Signal with your Cables?

Wolf Marshall

PAT MARTINO: A Tribute by Wolf Marshall

Pat Bianchi

Top 10 Jazz Organ Trios

Mitch Chmara

My Absolute Favorite Top 10 Jazz Guitar Solos

George Walker Petit

One Man’s Quest for His ‘Dream’ Guitar

Ede Wright

A Lesson in Rhythm for Guitarists

Tamara Fuller

True Confessions of a Jazz Club Owner: Why Do We Hire Guitarists?

Jackson Evans

JGT Album Review: William Flynn and Tim Fischer, Cross Country

Mark Herring

JGT Review: Dave Stryker’s – Eight Track III

Paul Fischer

Atlanta Jazz Scene: Rich in Jam Sessions, But Gigs?

James Galloway

JGT Review: Godin ACS Nylon String/Synth Guitar

Curtis Jones

A tribute to Al Di Meola, John McLaughlin, and Paco de Lucía’s Classic Performance, “FRIDAY NIGHT IN SAN FRANCISCO”

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