Swiss band Sonar announces
Tranceportation (Volume 1), their fifth studio album and the second by them to feature American avant-guitarist legend, David Torn.
“Had MC Escher made music instead of drawing impossible and perplexing perspectives, it would sound like Sonar” is how writer Sid Smith once assessed the Swiss-based band’s work.
It remains an apt description for the outfit’s method of creating hypnotic pieces by gradually building intricate patterns of picked notes, plucked harmonics, mesmeric bass, and insistent rhythms. The music created by Stephan Thelen (tritone guitar), Bernhard Wagner (tritone guitar), Christian Kuntner (tritone bass), Manuel Pasquinelli (drums, percussion) harnesses elements of rock, jazz, and contemporary classical minimalism and fuses them to create a distinctive musical language. Their partnership with David Torn began with their 2018 release, Vortex. Initially brought in as producer, such was Torn’s enthusiasm for the quartet’s music he couldn’t help but add his flowing brand of effusive, vivid soloing and textural layering across the breadth of the record.
While that was a spontaneous, off-the-cuff reaction to music that had been composed for a quartet, for
With parts written and arranged for a new quintet formation of
Sonar’s principal composer, Stephan Thelen, says of Torn, “David is somebody I have known all my life through his music and whom I really admire for his work. So to get him over to work with us in Switzerland first as a producer and then as a player was really exciting.” Torn’s fluid improvisations over Sonar’s tight clusters of sound added yet more depth to their work.
Recorded in Bellmund, Switzerland during a marathon five-day session that yielded over 80 minutes worth of material, they have chosen to release the first half of those sessions as Tranceportation (Volume 1) in November 2019 with Volume 2 scheduled for release in May 2020.
Thelen, who in addition to his work for Sonar has previously been commissioned to write for the acclaimed Kronos Quartet, explains how the music of Tranceportation works. “The seven new pieces which make up the two volumes of Tranceportation are all based on harmonically remarkably simple patterns that only consist of a few notes and that are, in one form or another, repeated throughout the whole piece, which is clearly where the ‘trance’ element comes in. However, using rhythmical techniques like isorhythms, polyrhythms
Likening this aspect of his work to the conceptual puzzles embedded within MC Escher’s paintings,
Thelen explains that the repetitions don’t appear immediately obvious. “So, even if you only hear a few notes, it sometimes takes a very long time until the overall pattern is in fact repeated.”
While the conceptual and structural underpinning of Tranceportation’s music is vital, so too are the
impassioned performances that resonate at the heart of the four tracks that make up Volume 1. Riding alongside the metronomic certainties of the sonic architecture, surges of dialogue and discursive ideas are vented and examined as the tension within the music builds and creative sparks fly.
At its heart, the compositions and performances on Tranceportation
1. Labyrinth (14:26)
2. Partitions (5:37)
3. Red Sky (11:14)
4. Tunnel Drive (7:42)