Zakk Jones Explains How to Add Spice To Basic Triads
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JGT contributor Zakk Jones provides a quick lesson that should add some spice to those basic triads.
For those brave souls that dare enter the world of jazz harmony on the guitar, it can be very easy to get lost in a sea of extensions, alterations, and dense voicings. We have to remember that Western harmony is predominantly built with triads. Even our most widely extended chords are often just a series of triads stacked on top of each other:
Cma13#11 = C E G B D F# A orโฆC, Em, G, Bm, D, Am triads.
Having a command of our triad inversions on every string set (anyย three consecutive strings) in both closed and open/spread positionsย will give us a strong foundation on which we can start hearing andย applying more advanced harmonies. In this lesson, I talk about โAdd2โย or โAdd9โ chords and their inversions. This is a simple 4-note chord,ย but instead of having a 7th, we add the 2 (or 9, depending on how youย think of it) instead. This lesson covers the I, ii, IV, and V chords inย C major, in two basic progressions (I IV V and ii V I). Iโm playingย drop 2 voicings and their inversions, all of which can be found in theย accompanying handouts.
C(add2) = C D E G
Dm(add2)) = D E F A
F(add2) = F G A C
G(add2) = G A B D
This is just the beginning of a series of video lessons that willย cover triads and their many applications. I overwhelmingly visualizeย the fretboard in terms of triad shapes and itโs been invaluable in myย development to practice and internalize these all over the neck and inย many different harmonic progressions/tunes etc. I hope you find someย lovely new sounds with this โAdd2โ concept!

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