Covers

The Musical DNA Of Dominic Miller

Published

on

šŸŽøĀ CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBEĀ  Tons of great interviews and studiesā€¦ Subscribe, watch, learn, and be informed on the latest in contemporary improvisational music language and the artists who are leading us all ā€¦Ā 

In this exclusive Jazz Guitar Today video podcast, Bob Bakert talks to guitarist Dominic Miller about his inspiration, touring with Sting, and his latest album, ā€˜Vagabondā€.

Bob Bakert: Dominic Miller is all about authenticity. Ā His music, composition, guitar playing, and life radiate the qualities I like most about humans. Ā He is genuine, dedicated, incredibly smart, sensitive, inspiring, and indeed powerful. Ā His music is full of emotion and connection. We at Jazz Guitar Today bring you, Dominic Miller, with great pride.


Drawn to acoustic guitarā€¦

DM: The nylon string guitar ā€“ Iā€™ve always been drawn to that sound. I was born and I was brought up in Argentina, where we were exposed to a lot of Latin American ā€“ South American music, from, Venezuela, Chile, Uruguay, and Argentina. And primarily, most importantly is the music of Brazil. My guitar hero as I was growing up, of course, other than Hendrix, was Baden Powell, a really great Brazilian guitar player who had that folk-indigenous kind of Brazilian music pre-Bossa Nova ā€“ then he got in on the Bossa Nova movement. And then, of course, AntĆ“nio Carlos Jobim and all that. So, nylon string guitar has always been like, wow, to me ā€“ this is the thing.

This is what I wanted to do ā€“ be an acoustic guitarist or a nylon string guitarist. Because in South America, people donā€™t play steel string guitars ā€“ right? Not reallyā€¦ Every house in South America has a nylon string guitar somewhere ā€“ itā€™s part of life. You pick up a guitar and you play a samba! In Argentina, I could play Sambas and Bossa Novas before I could play Neil Young or Van Morrison songs.



The latest project from Dominicā€¦

Dominic MillerĀ has been called ā€œa great, serene storytellerā€ by Peter Ruedi in the Swiss weeklyĀ Weltwoche, andVagabond, the guitaristā€™s third recording for ECM, might prove his most poetic tale to date. After Dominicā€™s debutĀ Silent LightĀ (2017), which captured the guitarist in solo performances with occasional percussive injections by Miles Bould,Ā AbsintheĀ (2019) found him expand his subtle instrumental sketches in a quintet lineup. ForĀ VagabondĀ the guitarist has partnered up withĀ Ziv RavitzĀ on drums and Swedish pianistĀ Jacob Karlzon, while long-time collaboratorĀ NicolasĀ FiszmanĀ returns on bass. Continuing in the collective spirit of his last album, here Dominic finds new ways to present his distinct approach in deeply felt quartet interplay.

Ziv Ravitz, Dominic Miller, Jacob Karlzon, Nicholas Fiszman ā€“
Photo by Christoph Bombart / ECM Records

Things Iā€™ve learned from Stingā€¦

DM: Even though it sounds freeform and like weā€™re all kind of improvising, which we are, the actual structure is strict songwriting. So, thatā€™s one thing Iā€™ve taken from working with songwriters, particularly Sting, is how to construct songs and how to embrace lateral thought. You know, like if something is off-kilter, donā€™t ignore it. Just see whatā€™s possible with this chord change. If it sounds wrong, itā€™s what you played. So look, what are the possibilities with it ā€“ donā€™t discard anything thatā€™s dissonant. Sting is really into dissonance or lateral thought. You look at his songwriting, the way a song like, ā€œEvery Little Thing She Does Is Magicā€ ā€“ using the whole tone scale against kind of a melody. These types of things, those principles ā€“ Iā€™ve taken with me. And just to finish up, the other principle Iā€™ve taken from him is to surround yourself with really good musicians who have an incredibly good instinct. Itā€™s all about instinct with these guys. And of course, theyā€™re well-versed in many different, genres and styles. But I need people with instinct. And if there is one thing Iā€™ve learned from Sting, the better you make them look, the better you look.

The DNA of the record collectionā€¦

Iā€™m really interested in this idea of color contrast, with chords itā€™s usually the harmony that comes before the melody. For me, songwriters usually come up with the backing track and then they do the lyrics and the melody. A lot of songwriters work like that. I donā€™t know where it comes from, but I guess it just comes from your record collection. Because thatā€™s the only thing thatā€™s really original about me, about you, and about all your listeners ā€“ the one thing that is unique and original is their record collection. Because nobody has the same record collection. I can guarantee you that. And, that is your fingerprint and thatā€™s your DNA.



Subscribe to Jazz Guitar Today ā€“ itā€™s FREE!

Trending

Exit mobile version